this project is a long distance collaboration between two amazing artists: andrea noce and david kristian during the year 2013. each track have been made after set up basic guidelines (style, tempo, structure, and workflow).

the second of two brilliant eps produced by merweyn saunder and eric lewis. although this was released under a different name, they were actually all done in the set of sessions that also gave us the previous release, the virgo four ep. as far as the duo were concerned m.e. was their name and virgo was imposed on them by someone at trax. the two eps were later conjoined and released as an album in the uk radikal under the name virgo. it was re released in 2010 by rush hour.

sold out! what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. <black light> sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story: >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades. showcasing a wide selection of new and classic records ranging from as far back as 1992 (secret knowledge - sugar daddy) and 1993 (nicole - a small entrance to a large spectrum and laurent garnier - acid eiffel) digweeds latest opus effortlessly takes us through a vast array of sounds, eras and genres from what was an incredibly special night back in march of this year.

with 8 sell out releases under the contrast wax belt so far, the boutique label invites, ben boe -boe recordings/for those that knoe- label head to the family & he joins the likes of blm, ethyl & flori, gauss & laak, with a killer 3 track ep, hand-stamped & hand numbered in true contrast wax style. the lead of the 3 cuts, steel city fly by is built around a lo slung bassline & subtle atmospheric pads that swell & drift in and out throughout, the b-side: what starts off with soft subtle pads & skipping hats soon rises into a bubbling acid line to compliment the latter in hope for enceladus that leave s the final cut of the ep byzantine times a laidback, groover, layered with delayed snares & synth lines make this emotive piece the perfect end to a solid 3 tracker.

acid pa svenska is a remake of the legendary jazz pa svenska record from 1964, a classic jazz record, now re-worked with an acid twist, inspired by the iconic sound of a roland tb303.

gari romalis keeps on surprising us all, with his amazing ability to produce solid chicago laced beats, full of groove and brimming with soul. so far his music has been released on some highly respected underground imprints, such as rawax, rue de plaisance and bosconi records amongst a long list of others we couldn t be happier to have gari joining us on our vinyl catalogue, plus, along side him for remix duties, esteban adame, half of the renowned los hermanos. esteban is a key member on the ur crew and has been also releasing incredible music on labels such as underground quality, or his own ican productions, which he runs in collaboration with santiago salazar.

repress !! everything started back in early 2014 when i came across the first tracks of junktion on outplay, remembers dairmount with a smile on the face. heavy on the bacon & coconuts are already supported & played by dam swindle, session victim, medlar, axel boman, jimpster, wolf music, lay far, kito jempere, art of tones, crazy p, late nite tuff guy, henry wu, max graef, roberto rodriguez & more

iib next release comes from french duo baptiste & pierre. 2 tracks of warm tropical goodness. virage is a deep mellow afro tinged tropical workout. muted guitar hook and nature sounds conjuring up far flung deserted beaches. ruf dug beefs it up a touch and moves it indoors giving it a more afterhours feel. the second track has the same evocative feel as virage with added atmospheric pads and a bouncy melody. like a closing track on an 80s road movie. full of emotion. italian maestro deep 88 creates a truly authentic slice of early ninetoes deep dreamy house. perfectly wrapping the original in warm analogue drums. another quality release from iib.

who said that there is no techno in bavaria? not only the bavarian based label itself as a kind of lighthouse for the more energetic sounds deep in the bavarian heart is a proof, also the young and crazy dirty basscore is emerging from there with his very own, unique, freaked out, crazy, uncomprimising style. compared to his outlets so far this one might not be the craziest and freaked out stuff he did, but for sure this is a massive debut and introduction of his trademark and unlimited talent here on credo. perfectly timed and playable tunes with only one goal: working on the dancefloor! and as this wouldnt be enough we even top it with an excellent repaint by another bavarian techno-stallion. klaudia gawlas, who probably doesn t need any introduction, delivered a superb interpretation of the titletrack.

mother recordings has built a amazing relationship and great connection to latin america. the latest signing from the region is fresh ecuadorian talent ordonez, resident of the world famous lost beach club. the spell ep is definitely one of the biggest releases of 2015 so far, which says a lot as it has been an amazing year so far!

the first years, from his first album in 1976 to his 7th in the middle of the 80’s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyones advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections, such a success would have burnt most of the others wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

r&b für den sommer: sechstes album der neuseeländischen band. die 180g vinyl lp erscheint inklusive downloadcode.

after their contribution to far & beyond compilation, owen jay & melchior sultana get back to deep explorer finally with a full ep, where they combine different styles in just 4 tracks. deep instrumental, vocals and even electro vibes.everything under the smooth shield of the batti batti team. the circle is completed by the remix of make me feel (the track that opened the doors of deep explorer to the batti batti family) by the legendary mike grant (moods & grooves)

a fine 2015 for untilmyheartstops so far has seen the label usher in superb 12- releases from zach lubin, arnaldo, and duckett with the latter s pair of records a particular highlight. label co-founder leif is next up with taraxacum, his second album and umhss debut long-player and it may be their finest work to date. building on dinas oleu, his well-received 2013 debut album for fear of flying, the nine tracks on taraxacum show leif channelling all-new levels of immersion in his productions right now. very much an album you sink into, there are still tracks on taraxacum that will work on the dancefloor when you require something a bit hypnotic wed love to see a small club reacting to the startling an elephant madness for example. great work leif!

after a short break, 200 records is back with sebastian habbens solo debut >inner city<. habben, based in cologne, is one half of the producer and dj duo raucherecke who have released three eps on our label so far. lately, sebastian has concentrated on his own label >im in love< and his solo career. quite recently he released his tracks >nebel< on chilean imprint drumma records.

only 100 copies! in the cast tradition, includes 4 far reaching and artist signature tracks from axkan, pinion, dolgener and iformat.

tyler friedman returns to kontra-musik with a series of immersive wax maelstroms, adorned with the mind-melting artwork of rafaela drazic. every track on ccc: bb: bbb: jj is a controlled experiment in lysergic dance music, an examination of how far you can warp the constitutive elements of techno without loosing it s essential spine. the result is four evolutionary techno suites full of movement and life that make your brain move just as vigorously as your body. as the personal work of a composer creating soundtracks for artist projects - most notably as a long-term collaborator of the otolith group, the filmmaker collective spearheaded by pioneering afrofuturist theorist kodwo eshun - ccc: bb: bbb: jj sums up everything kontra-musik is about: dancefloor celebrations challenging the boundaries of expectation and genre.

transmitting from new york (via toronto), jex aka jex opolis has so far been known as the man behind and in front of the good timin label. infamous for its boogie burner bombs to quote discogs member kutter karlo jex, trades his label for running back and a shifts the gear. up with the tempo and down with the lights, there still is a variety of styles. studio e is named after an after hours spot in edmonton that the record s author partied at in the early 2000s, also sounds like something ivan smagghe would have enjoyed at that point in time. laxmi tool is referencing classic tribal house and a street in pune, where jex wifes grandma bought the drum used in this track. on the flip, harpa brags and boasts with its trampoline bass line, while la casa surfs some timpani waves.

fleeting wax is a new label by basel djs mehmet aslan and miajica from alma negra, whose fame has spread far and beyond switzerland. the ep contains three striking edits from the reaches of what could be considered world disco in the widest sense of the word. its fair to say that this is the embodiment of a now familiar basel sound all sultry playfulness, turkish delights and sun drenched pop not pop. the first is tais schlager edit, built on a combo of hypnotic marimba-dreaming and that irresistibly sugary voice. istanbul digger dj fattish immerses himself into the singer-songwriter wealth of his country. and label co-owner miajica weds italian cantautore passion to the dancefloor. with its first release, fleeting wax clearly lives up to its romantic promise: unearthing forgotten relics and infusing sleeping beautys with new life.

capital bass continues to gather russian names under one roof and expand stylistic variations. next big thing is a three-track ep from ponty mython (alex). this is the second ep by sir ponty mython on capital bass. it has been two years since his bulletproof jesus ep in 2013. during these two years ponty mython has been working with such iconic house imprints as arma, quintessentials, dirt crew and others. his new adverbs ep is a quite eclectic thing. side a is a filtered house banger gracefully - a result of sampling games with moscow house star lay-far (local talk, in-beat-ween). side b - afterwards tune is a real one-loop thriller, dirty and raw, with african samples and invisible sub bass line. on b side you can also find a psychedelic version of afterwards by saint petersburg techno artist nocow (roots united, fauxpas musik). (roots united, fauxpas musik)

b-stock! one corner is broken. bolstered by the unshakable body of work behind it, brooklyn-born berlin-based techno label chronicle reaches its milestone tenth release with its gaze fixed dead ahead. ten releases in, it pays to make a strong, defiant statement of intent, toasting to what the label has been about so far. more important though is to remind those tuned in to take heed, because the next step is always the most significant. from the artists crafting the music at its beating heart to the all-important design that packages the records, chronicle is a label that pulls no punches in its creative vision. given that the vision in question matches unbridled futurism with elegance and intensity, consider this a warning is a fitting title for a salvo of sounds that set the tone for where chronicle will head in its coming chapters.
the double 12 inch includes a cd, featuring all traks from the vinyl plus 6 bonus tracks.

this is potion number three. the tuff city kids have spent some time in the lab and created four fine potions to ease our ailments. like memories of a nexus 6, these tracks are machine made but feel organic, familiar and timeless. programmed to make us dance, they reach straight for our brain s motion centre. -carden eden- has been included in prosumer s fabric mix and we are proud to finally present it on vinyl, together with three brand new companions as -underground house research vol. 2-. philipp lauer and gerd janson have built an excellent reputation for the tuff city kids moniker in the three years they are releasing together. and if you got this far into reading this, you surely know already what absolute legends they are.

ltd drop of this 12inch (originally planned for a 2011 release). excellent electronics from a test press circulated at the time, but didn t reach far. untitled still totally holds it s own. welcome back recondite.

this is easily one of the best in the series so far with the a-side featuring original tracks by advanced human, and mattias fridell, while the flip-side has an original from rraph, and a killer kwartz remix.

friends and fans of tramp records in general, and of the feeling nice series specifically, will be feeling even nicer this time around with the release of this deep and soulful new collection: feeling nice volume 3. these recordings have been painstakingly sought-out and unearthed from as far away as hawaii, canada, and jamaica (in addition to the usual texas, ohio, and georgia). this music has been carefully transferred (in some cases form the sole known copy) and remastered to the highest standards of audio quality. the double vinyl lp comes in gatefold sleeve with bonus 7 inch and download code.

the rhythm odyssey (dean meredith) is one of the most prolific and versatile producers on the planet with a prodigious career that spans over 20 years. a founding member of chicken lips and bizarre inc. the rhythm odyssey that s all acidic analog rawness and fuzzy vintage synths.

2015 has been a huge year for dj-kicks, marking both 20 years of the series as well as our 50th release. but far from slowing down, we’re already looking ahead to another incredible mix from one of our favorite artists. over the past decade, seth troxler has become a visionary and authentic voice in dance music, his jovial personality cutting through the noise and continually playing by his own rules. growing up between detroit and chicago, his musical education carries enviable credentials, with his stepdad a local radio personality who championed the early sounds of house music. true to troxler’s character, the mix has a whimsical nature and a thoughtful and timeless narrative, bearing a tenacious episode for the dj-kicks series that gives a true insight into the man behind the well-preened moustache and cowboy antics.
the double vinyl with 8 unmixed tracks includes the dj-mix on cd.

ltd to 300 copies , highly anticipated by both fans and music critics, fossil archive 003 is a blanket of techno adulation, full of sky-high feeling through its warm and expansive energy. ‘perisphinctes’ which received a radio exclusive on b.traits’ bbc radio 1 show in august, marks itself as part of the vanguard of modern techno. purposely incompatible with the masses, it clearly lends itself to the underground, pushing its charisma in the direction of the label’s earthy vociferation. with its driving montage, its monolithic kick and general depth, it holds its own in any given setting. evoking a weighty hospitality of sound, ‘tiziani’ supplements bleak with feel-good synth exertion. straying from the conventional framework of techno, this is a stripped back, atonal portrait of effectual techno culture. without confusion, this unblemished and wholesome howl of voice brings with it a rich, affable buzz, perfectly suiting both the big room and more intimate homely surroundings. for roberto, this far-reaching release imposes on none and invites all to clinch its hauntological embrace, and with previous releases gathering support from the who’s who of techno, it’s sure to do just that.

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

first vinyl release by tom smeyers on his new sneakerfreaks music label. this ep features two 90s flavored jersey house tracks including vocals by lex empress. only 250 hand-stamped copies will be available pressed on heavyweight 12 vinyl. so far the vinyl received very positive feedback by djs such as tom trago and kerri chandler

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

this music encompasses two worlds, lives in between territories - between techno and noise, the far end of a darkened club and a dreaming mind’s afterthoughts. very earthly and deeply rooted, it sometimes appears fragmented, full of sonic embroideries, full of sonic dirt, even. like two universes colliding, imploding one on the other, giving birth to a new space, without boundaries or restraints. something to dance to, on a spaceship. sergie rezza is the musical meeting of romain poncet and dj deep.

repress 2015 !! already played by dixon!
maher daniel and john charnis have been melting ladies hearts all summer long with their gorgeous original mix. now joined by a superb remix from luca bachetti, so far, its weaved its mystical journey stretching from burning man festival to panorama bar. now its time for you to create your own magic. the hardest decision youll have to make is deciding which mix to play. dream on dreamer

the dance is the result of a long lasting musical love affair between kontra-musik s ulf eriksson and sebastian mullaert (aka minilogue). as most love affairs, it started off as an exciting experiment: ulf would play records and sebastian would bring out his music gear and play a live set. as they were touring with this live concept, their sounds started to really integrate, and after one especially fine night at trouw, amsterdam, ulf and sebastian decided it was time to conceive the dance. once the decision was taken, everything else came naturally. the dance was to be recorded live, in one take, at kontra-musik s home field inkonst, malmo, sweden.

the revered halal prepared series on boe extends to its fourth volume with four new acts fresh to the label. hotly tipped duo, invisible menders, made up of outstanding dj jane fitz and thus far underrated producer dom ahtuam contribute a stunning balearic bass-heavy house cut fifth time lucky. fresh from his solo ep, john shima slots in a deep techno workout thought wave. toby tobias of rekids fame pumps out some raw basement lofi vibes with his jacker sword art arcade and rounding off the ep on a delicate note is tim smith s soft and melodic 707 jam graphene

music for nightclubs and far beyond

the ethos of m.i.l has always been to play the role of adventurer, to push forward the sounds that veer away from the main label music is love and m2222 pushes the envelope to the furthest boundary so far. kastil steps up for the 5th release on the vinyl only label with a divine techno ep. etrek kicks off the proceedings with a kick drum solid enough to shake the bones of anyone in 100 meters of it. with its eerie analogue blips and noises the atmosphere this track emits is so intriguing you yearn for all its beautifully produced twists and turns. the main riff played against the surging drum section will make this track a timeless tool for techno & house djs alike.

we have reached the end. this is as far as the story tells the final recording by the artist(s) that kickstarted the omena ltd series with the mini-album 1 early 2015.

helsinkis lauri saine is the storyteller for this, the third chapter of fools & fables. pleasingly his irresistible releases dont come along all that often, but when they do, they justifiably make serious waves. small remedies, takes us on a journey to a side of saine we seldom see. first things first, blush cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. casual wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. the tropical breeze blows free through leisure song too, as we begin to get the impression finland might actually be a small pacific island.

good ratio music looks deep into the brume and strikes gold with the first ep from carlo on the imprint. forget me not is a record that plays directly into one of the strengths of the artist: melting a coherent whole from ephemeral parts. carlo keeps it rather fiercely on the house grooves, creating a far out sound with his fluent pulse and motif-based melodic improvisations. a unique sound that makes this three tracker remain to him at any spot. on the flip side kresy delivers a solid remix of the main track, forget me not. where he tames the wild things and crowns himself as their king.

nice price deal !!! cymawax explores the far reaches of our sonic galaxy with its next 12 inch only release, an exciting seven song set from evocative uruguayan-norwegian vocalist camilla luna. camilla is known as one half of luna & bazis on wahwah45s, with producer friend bhlb, and as vocalist for trulz & robins releases on eskimo and dance disorder’s ”metallic italic“ (bpitch control). her years of improvising vocals with musicians and djs at renowned oslo clubs like blaa, jeager, and the villa have given camilla a knack for accompanying electronic rhythms with haunting, tuneful melodies. for the open up ep, camilla joins producer bhlb for soulful and raw vocals recorded in one take over futuristic, bass-heavy, and delightfully offbeat tracks. the styles and tempos vary wildly, but the sound throughout is unified in a deceptively organic ex machina woman-meets-machine vibe. in the title cut, the almost tribal percussion summons exotic, benevolent spirits when combined with camilla’s temptatious crooning. the twisted r&b of ”wut r u gwonna do“ could almost be a secret collaboration with the likes of flying lotus. and ”f.o.c.- transmits a slightly intimidating techno stomp that would make all heads on the dance floor turn towards the dj and immediately take notice. these are just a few of the otherworldly audio nuggets found within the open up ep … there are more treasures to unveil. excavate soulfully.

fatdog records returns after a break, offering contributions from 3 artists new to the label - the rutan, tom mc connell and mark hand. fdr003 offers a development from the deep house template on the last ep, this time taking us further into deeper detroit territories. mark hand offers us drexciyan techno in the form of cold feet. the rutans fable sits somewhere between vakula and some of henrik schwarzs earlier dub-house experiments, while fat dog takes us to the murky back alleys of his mind with jaffa cakes. finally tom mc.connells juniper takes us into wonkier groove rhodes stylings which rounds off the ep very nicely indeed. support by john heckle, afrikan sciences, lay-far, enrico (neroli), sonars ghost (2000 black), burnski, wolf music

the sylvan structure ep is a debut for anja zaube and het at the same time. the sound of this untitled 4-track ep is driven by the vision of deep-dark sonical forests: a 1is taking the dancer from the floor to a far away soundscape. on a 2 anja experiments on the ambient side of sound. raising and boosting until it all sheds. b 1 is definitely located on a forest glade, where you can find the hope, that is needed. the glitchy sound of b 2 together with its’ catchy main pattern is combining abstraction with groove.

the summer heat is still on our minds and we all do miss the sunny days, the beaches and the endless open air parties… thanks sascha dive for the right soundtrack and this summer flashback: dives new release for cocoon beams us back to the high days of the summer of 2015: especially into the woods seems to be the perfect sound for all these deeply missed summervibes. into the woods is a pristine tech-house production that comes with a cool straight forward beat programming, very nice reverse strings-sounds and hypnotic house chords. a nicely flavoured chicago club housefeeling and exactly how we like it! werewolf appears slightly more spaced out, however we are still deep in the house universe here. dive is pushing it a bit harder now - he uses crazy chord sounds and turns the track into an 11 minutetech house journey. after the summer flashback with into the woods this one beams us definitely more into the darker and hotter inner city clubs. a massive tech-house-striker by the diver and we are proud to say it is one of his strongest works so far!

the fine folks at moton, that will be diesel and jarvis, hook us up with something a little special this summer, slimming their usual 12- format down into superb colored 7 inches of edit delights... sister to sister does its thang with plenty of soul and sass, blowing our minds with far out funk, and full on frequencies. last but not least, diesel and jarvis go beachcombing with the blue eyed boogie off flipping it over we are the sunset, is a jazzed out, funked up cut ripe for early hours or end of night play.

a renowned producer from the barcelona scene, pedro vian has taken a significant step forward in his career with the creation of modern obscure music. from this platform he is able to shape his vision of today’s electronica, releasing material from likeminded artists while creating his own sound, combining silky dance rhythms with an experimental approach and dark atmospheres. so far vian has collaborated with artists like alex trochut, ital, hieroglyphic being, sunny graves and federico sancho, among others. pedro vian is the new alter ego for pettre, who has already released tracks on hivern and for several years was one half of the duo aster, the exciting project whose house music still echoes in the eardrums of its fans. this time pedro vian presents black toms ep, a new release accompanied with inga copeland and pye corner audio reinterpretations. the publication of this record will be in mid june. cover photographs by adria cañameras

rekids welcomes madrid-based producer regal to the label for the first time, with the long-awaited release of the figure/enemy records affiliates interpretations of ghetto kraviz. with the original named by fact magazine as one of the top 100 tracks of the decade so far, regals 303 and dub remixes have meanwhile been a recurring feature in the sets of djs including nina kraviz, who fell in love with them immediately upon being sent them last year, leading to their eventual release on matt edwards s recently re-launched imprint. the a-side sees the involve records boss turn in an jacking, acidic take, while on the flip, the dub version heads in a more classic techno direction, replete with pounding kicks and cathedral-filling reverb. these are two killer remixes have been going down a storm…!

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession